Hi there... My name is Marcos Daniel Marado Torres, but I'm often known in the Internet by the handle of Mind Booster Noori.
I was born in the Yule day of 1982 in Lamego - Portugal. I'm an Informatics Engineer since July of 2005.
While in 2005 I moved my web presence here, now I have another website, with another blog.
April 30, 2007
Quickies
See what you can do to try to convince Warner Music to drop DRM.
Article about Security Concerns in Web 2.0.
SellABand messes up with Flash... again
The problem is that:
- this didn't happen before
- According to Adobe the latest Flash version is 9,0,31,0 and that's the one I have installed
- Any other "Flash 9 only" website I go has no problems with my plugin
What's going on? Anyone having this problem besides me? My guess is that this is has something to do with me being using Linux's version of the plugin...
April 29, 2007
Takeoff - review
The organization was good, and the event went well. It was awsome to see that many people, some presentations (like the one from Gonçalo Quadros) were so full that there were nowhere to seat, not even on the stairs. Wow. I hope that take off happens again next year, in an wider space.
The morning presentations were about "Palco Principal" (a Portuguese "version" of PureVolume that aims to be much more than that), Francisco Pereira's investigation on geolocalization (with Ejaki and YouTrack) and finaly Pedro Sousa giving us the talk about "how to start up", with references to the Portuguese scenario. His presentations are getting better everytime :-) A good review on those (in Portuguese) can be found here.
In the afternoon there was a terrible presentation from Microsoft (hey, you should learn about not calling your public liars, specially not doing it several times, and specially when your public is computer-powered people with wireless connection and evidences are online). I can't just stress out how this presentation sucked - you should listen to the podcast at the moment it gets available to check for yourself... The presentation was followed by a presentation about Linux, the same that subv3rsion did on Tecnonov. Another prespective of these two presentations can be found here.
That presentation was followed by Critical's Gonçalo Quadros, and I didn't manage to hear it since I was talking with several people outside, but from the comments I've heard, it was preety good. I'll check it out as soon as the mp3's are available.
After another coffee break, the last set of presentations: Fred from WeBreakStuff did his usual talk (that's getting better by the time) and also gave some highlights on how goPlan is commercialy going, and where is WeBreakStuff heading. Then, Pedro Custódio, one of shift creators, gave an awsome presentation about co-creativity: one I wasn't expecting and that found great. Finaly, Armando Alves did a presentation about the new was of doing publicity on the web. The presentation was good (but man, you should stop using that whatever-broken-thingie you used to create the presentation, it was not good, and the embeded videos were not working properly), and I was thinking it was about something different (and more useful for a personal project of mine)... But good, indeed.
Goodies
Yet, there were some things that I've heard in take off that can't go on un-blogged.
Palco Principal is going to have a "mini-stores system" next week
Palco Principal is also aiming to do something I'm really looking forward: a Portuguese "version" of SellABand!
And this unfortunate quote from WeBreakStuff's Fred:
"Já há muito tempo que não vejo os projectos que as pessoas andam a criar no goplan"
Man, did you ust admited you used to check out what content did people feed in on goplan? Am I the only one that thinks that this is just unbelievable? Have you ever considered that your clients don't want you to spy on their projects? Shame on you. Seriously.
April 27, 2007
You know you're getting old when...
import os
for file in os.listdir("."):
if file.startswith("3.x"):
os.rename(file,"x"+file[2:])
(This changes the filename of all files from the current directory from "3.x*" to "x*").
Amazon to create online music store without DRM
April 26, 2007
eefoof turns VuMe
First off, I just want to say thank you for your continued support of the site. I started eefoof.com with the belief that it should pay to be creative — now we're taking eefoof to the next generation of media sharing. We've listened to your feedback and we have a cooler interface, faster load times and easier uploading. To help us launch our version 2.0, we have a whole new name:
Introducing VuMe.com ("view me"). It's easier to pronounce and easier to remember. VuMe is now a one-stop media posting site for video, audio, photos and blogs.
Here are some of the features you can expect. A user blogging platform, a faster/higher-quality transcoder for video/audio, a sleek AJAX upload interface, and many more additions to the site to make everything accessible and convenient. No matter what kind of media you post - video, audio, images or blogs - you'll get paid for it, based on the traffic it generates. After all, if we make our money from advertising, so should you.
At VuMe.com, we have an ongoing commitment to share our success. As we generate money, so will you. That's just one of the many differences that makes VuMe stand apart. Here's to our mutual success on VuMe.com. See you on the site!
Since I was quite critic on the service, but pointing out what was IMHO wrong about it, they've sent me out an e-mail, from which I'll post some "can be public" quotes:
First off, I just want to say thank you for your continued support of the site. I started eefoof.com with the belief that it should pay to be creative Ñ now we're taking eefoof to the next generation of media sharing. We've listened to your feedback and we have a cooler interface, faster load times and easier uploading. To help us launch our version 2.0, we have a whole new name:
Introducing VuMe.com ("view me"). It's easier to pronounce and easier to remember. VuMe is now a one-stop media posting site for video, audio, photos and blogs.
Here are some of the features you can expect. A user blogging platform, a faster/higher-quality transcoder for video/audio, a sleek AJAX upload interface, and many more additions to the site to make everything accessible and convenient. No matter what kind of media you post - video, audio, images or blogs - you'll get paid for it, based on the traffic it generates. After all, if we make our money from advertising, so should you.
At VuMe.com, we have an ongoing commitment to share our success. As we generate money, so will you. That's just one of the many differences that makes VuMe stand apart. Here's to our mutual success on VuMe.com. See you on the site!
Promising, it seems. While I was writting this, tho, Paula registred and is now facing so many "Oops, we had a little problem" messages that turns VuMe quite unusable... Maybe they still didn't get it right?
For eefoof I wrote:
they should had risk more and not only wait to get a more-beta less-alpha application, but mainly not to make the apliccation in such a raw-state to be widely reviewed (by being digg'ed and /.'ed)
Twice in a row? I don't know - She registred from scratch and is using Safari, I'm using Iceape and migrated my eefoof account to the new VuMe.
OK, I've tracked down that bug:
If you use that checkbox...
Oops! It looks like there is a problem.
* MDB2 Error: no such field in query:
_doQuery: [Error message: Could not execute statement] [Last executed query: UPDATE users SET bio = '', email = 'marcos.marado@sonae.com', comment_notify = '1', location = 'Portugal', website = '' WHERE id = 'MindBoosterNoori'] [Native code: 1054] [Native message: Unknown column 'comment_notify' in 'field list']
Another bug: I've tried to upload a song, and when it ended, I've got a blank page telling:
wget --spider "http://tc1.vume.com/audio/process/38/brixwEX6Yq/" > /dev/null &
WTF? Hmm, seems still in alpha stage to me... Maybe next year?
Free invites to Swaptree
I have now three invites to give, so... if you want one of those, be quick and ask me one!
European Parliament Criminalises Businesses, Consumers, Innovators
A summary of the adopted text follows:
- Apart from copyright (piracy) and trademarks (counterfeiting), also the unexamined database and design rights are included in the scope, as well as trade names (which do not fall under Community Law). Patents and utility models (petty patents) are excluded;
- A weak definition of "commercial scale" was adopted. It does not clearly protect consumers and the young generation;
- Inciting an IPR infringement is criminalised. This introduces liabilities for software and service providers;
- Abuse of the measures provided by this directive are punishable, "fair use"-like actions such as infringing for the purpose of criticism, research and reporting are removed from the scope, and the neutrality of the investigations should be safeguarded.
"Terrorists illegally copying and selling phone directories will probably not sleep very well tonight. Neither will spare parts makers who, according to Parliament, should risk criminal penalties if they infringe on a part's design right. It is very strange that the rapporteur insisted on having these unexamined database and design rights included in the scope", said Jonas Maebe, FFII analyst.
"Today, 'inciting' is only criminal in some member states, and in exceptional cases such as hate speech. Elevating IPRs to the same level is a scary development. The inciting clause is also reminiscent of the US 'Induce Act', which threatened to make MP3 players such as the iPod illegal", Maebe added.
He continued: "On the positive side, Parliament did decide that abuse of these misguided measures has to be punishable, and that the neutrality of investigations should be safeguarded. It also explicitly mentioned several statutory exceptions to IPRs, where criminal measures should not be applied."
"We are also thankful for the strong support our position received from the Greens/EFA and GUE/NGL groups, as well as from several Members of the EPP, PSE and ALDE groups. A number of Members from the EPP and PSE groups afterwards concurred that the directive did not get the time it deserved for discussion, and that many Members became aware of its dangers too late", Maebe said.
The directive now goes to the Council for its first reading. Several Council members, such as the Dutch and UK governments, have already expressed serious concerns about the scope and nature of this directive. Maebe concluded: "We hope that they will take the joint recommendations of law experts and civil society into account more fully."
Know more about it here.
April 24, 2007
The Big Brother state
Takeoff
This is a free event that is going to happen in Coimbra, Portugal, and has panels about:
- From Web to Stage
- GeoLocalization sharing
- From cubicle to sofa
- Ideas and Software
- Linux - A path to productivity
- From idea to company
- Starting-Up
- CoCreativity
- Publicity 2.0
What are you doing?
April 23, 2007
Defining Web 2.0
Conference on future of European patent system
Among the speakers are William Kovacic, US Federal Trade Commissioner, Ron Marchant, former Chief Executive of the UK Patent Office, Prof. Reto Hilty of the Max Planck Institute, and South African entrepreneur and industry leader Mark Shuttleworth, CEO of Canonical, Ltd.
Brian Kahin of Washington-based CCIA, one of the organisations behind EUPACO, explains: "while the recent Communication from the Commission, 'Enhancing the patent system in Europe', focuses on the problems of the Community patent and the European Patent Litigation Agreement, it acknowledges the need for a holistic approach to patent policy. EUPACO-2 is a milestone event that addresses four main issues: costs and benefits, quality, diversity, and institutions."
eupaco.org
Plazes sneak preview
From their FAQ:
Plazes adds physical presence to the web. The Plazes website automatically detects your location and connects you to people and places nearby. See people in your area, discover other locations and follow the whereabouts of your friends.
Locations within Plazes are not just global coordinates they carry significance to you and your friends. You can name locations like "Home" or "My Office". Represent your locations by how you relate to them and discover other significant locations.
Relate to other locations by adding pictures, comments, and reviews. Plazes can also be told to remember the locations you visit so you can review your travels.
Now, from the 2nd to the 17th of May (next month) Plazes will have a "sneak preview" for some people (the picture up there is a rip curl on that sneak preview) about the "new Plazes", that will bring some new and hopefully excitant features.
I'm on the previewers list, and have permission to invite some other people into the preview, so... free invites! If you want to have an invite to the new version of Plazes just mail me telling so, and I'll gladly add you to the list. Notice that this is a sneak preview and not a "pre-release" version, so the data you'll add there in the preview phase will not persist and migrate to the final version, once it is released.
April 20, 2007
XTech 2007
As you might remember, last year I went to XTech 2006 (in Amsterdam) and it was an awsome experience: hi quality presentations on Web 2.0 and the themes surrounding it. You can read my notes.
This years XTech seems as interesting as last year's: the theme is "The Ubiquitous Web", and is going to be in France. I won't be able to attend it, but I recommend you to do it if you can.
Here's some schedule overview:
- Tutorials
- Ubiquitous Web Day
- Four conference tracks:
April 19, 2007
Text-based virtual worlds podcast
Second Life grid to be Open Sourced
What the world is asking now is how will Linden Labs keep making money, even if I not only think that this is the only way they had to keep SL a sustainable and profitable product in mid-term, but also that this is their way to fight against possible concurrency (like Entropia).
The announcement was made a couple of days ago, but the most exciting thing in this, IMHO, is that they're going to have open standard API's that will allow to communicate between servers. That way, Second Life is going to become a grid of Virtual Worlds connected by themselves (as Entropia worlds, for instance, can be).
April 18, 2007
Petition against DRM'd music
The entire concept of DRM is inherently broken. It simply doesn't work. The only people that suffer ill-effects from these techniques are those who actually obey the law and aren't committing any wrongful acts. The internet pirates laugh at it and aren't noticably put off by it. DRM is only punishing the people buying and reviewing the records and thus is completely pointless and needs to stop!
Read their full position here, and don't forget to sign.
April 17, 2007
Predicting the tech-future
- dubbed augmented reality
- lifelogging
- virtual worlds
- mirror worlds
But let's talk about those four items there.
Dubbed augmented reality is a concept where technology enables you to have an allways-persent body-widget that lets you know more about the reality that envolves you. Think about Plazes on steroids, in a allways-present device (like the eye-screening we see on GiTS), that enables you to have any kind of info about where you are, realtime. You can enhance the concept and think about stuff like getting info about people as you look at them and that sort of stuff. Possible? Yes, even probable, but that isn't a Metaverse, it makes me recall more other aspects in Snow Crash...
Like lifelogging. Remember that guys on Snow Crash that did something like wearing a full-body gadget-suit that was used to stream images into the future version of YouTube? Well, consider that lifeblogging with a little of the previous item (correlation between video footage and the people in that footage, and stuff like that).
On virtual worlds, it seems that what's been talked is about a more immersive version of Second Life, as the previous predictions also talked about. On a side note, while the previous prediction talked about Linden Labs (the company behind Second Life) buying google, in this event the general ideas were on whether would Google create GoogleOS and Microsoft would buy Linden Labs, positioning Google as the developing mega-softwarehouse with the future of Operating Systems, and Microsoft as less a technological company and more like a big pocket of money available to investiment, which isn't really surprising if you notice that we have really nothing innovative from Microsoft for years (the Wow from Vista is a big pile of FUD about a defective Operating System with nothing innovative compared to the alternatives). I intend to write soon more about my own visions of the future of Virtual Worlds real soon. And no, I don't believe that Second Life will turn into the "final and perfect VW", as much as I don't think that WOW (not Vista's Wow but World of Warcraft) is to be the ultimate MMORPG. Oh, and the nobody-knows-what-this-is extremely-hiped areae isn't going to have persistence, which is a big no-no for me (even if I usually agree with his vision on VW's.
Last but not least mirror worlds, which makes me remembers this list of Games on Google Maps. Mirror worlds are defined as virtual worlds like ours, with places like ours: a real representation of the "first world" but where people are only virtually, without meshing virtual with real people. I really don't see this happening unless you're trying to do something like Idlewild.
The final article is yet to be released, but I'll surelly be a reader of it.
April 16, 2007
Ranting about blogger
(Second Life + Google == world domination)?
April 13, 2007
Warner wants to buy EMI
After EMI last month rejected a $4.1 billion takeover bid from Warner Music Group (WMG), WMG may now pursue a merger with EMI by appealing directly to its shareholders, a move that would undermine EMI's management.
Taken from here.
You know someone f*cked up when...
I think that sometime I'll create a number of posts here called "You know someone f*cked up when...", but, created or not, here's the #1 of the (potential) series...
You know someone f*cked up when...
You go to your mailbox and see:
Received: (qmail 29687 invoked by uid 999); 13 Apr 2007 11:53:06 -0000
Delivered-To: xxx@xxx.xxx
Precedence: bulk
Received: (qmail 29685 invoked from network); 13 Apr 2007 11:53:06 -0000
Received: from xxx.xxx.xxx (HELO xxx.xxx.xxx) ([xxx.xxx.xxx.xxx])
(envelope-sender) by xxx.xxx.xxx xxxxxxxxx would like to recall the message, "xxxxxxxx...".
with SMTP; 13 Apr 2007 11:53:05 -0000
Received-SPF: none (xxx.xxx.xxx: domain at xxx.xxx does not
designate permitted sender hosts)
Received: from xxx.xxx.xxx ([xxx.xxx.xxx.xxx]) by
xxx.xxx.xxx with Microsoft SMTPSVC(xxx.xxx.xxx.xxx);
Fri, 13 Apr 2007 12:53:05 +0100
X-MimeOLE: Produced By Microsoft Exchange Vx.x
Subject: Recall: xxxxxxxxxxxx...
Date: Fri, 13 Apr 2007 12:52:58 +0100
Message-ID:
X-MS-Has-Attach:
X-MS-TNEF-Correlator:
Thread-Topic: xxxxxxxxxxxx...
Thread-Index: xxxxxxxxxx
Priority: Urgent
Expiry-Date: Sun, 15 Apr 2007 12:52:55 +0100
From: xxxxx
To: xxxxxxxxx
Return-Path: xxx@xxxxxx.xxx
X-OriginalArrivalTime: 13 Apr 2007 11:53:05.0647 (UTC)
FILETIME=[4C0E1FF0:01C77DC2]
X-MSTD-Info: clean
X-IPG-AntiSpam: hits=-99.7, required=5.0 (d) - not spam
MIME-Version: 1.0
Content-class: urn:content-classes:recallmessage
Content-Type: text/html; charset="us-ascii"
Content-Transfer-Encoding: quoted-printable
X-Length: 4174
X-UID: 61931
Body:
For those wondering, this is what Microsoft calls a recall message. The problem here is that Microsoft doesn't stop thinking that the world belongs to them, so they keep doing stuff that only works with their systems, even for their bad. They never thought of making this "functionality" a standard (and it's so poorly designed that I doubt they would achieve that with this implementation) so...
Recall only works for:
- Messages that are sent to other UWSP email accounts.
- The recipient must be using the Outlook client.
- The recipient's mailbox must be open for the recall to succeed.
- The message must still be unread and in the recipient's Inbox.
This means that the rest of the world not only recieves the e-mail you didn't want to send, as they recieve a message telling them that you didn't want to send it (turning more attention to it).
April 12, 2007
Tell the European Parliament to Fix IPRED2
If IPRED2 passes in its current form, "aiding, abetting, or inciting" copyright infringement on a "commercial scale" in the EU will become a crime.
Penalties for these brand new copycrimes will include permanent bans on doing business, seizure of assets, criminal records, and fines of up to €100,000.
IPRED2's backers say these copycrimes are meant only for professional criminals selling fake merchandise. But Europe already has laws against these fraudsters. With many terms in IPRED2 left unclear or completeley undefined - including "commercial scale" and "incitement" - IPRED2 will expand police authority and make suspects out of legitimate consumers and businesses, slowing innovation and limiting your digital rights.
IPRED2 and Business
The entertainment industry spent millions suing the makers of the first VCRs, MP3 players and digital video recorders, trying to use copyright law to kill those innovative products because they threatened old business models. Fortunately, the industry was unsuccessful.
IPRED2's new crime of "aiding, abetting and inciting" infringement again takes aim at innovators, including open source coders, media-sharing sites like YouTube, and ISPs that refuse to block P2P services.
With the new directive, music labels and Hollywood studios will push for the criminal prosecution of these innovators in Europe, saying their products "incite" piracy - with EU taxpayers covering the costs.
Under IPRED2, these same entertainment companies can work with transnational "joint investigation teams" to advise the authorities on how to investigate and prosecute their rivals!
IPRED2 and Your Digital Freedoms
Criminal law needs to be clear to be fair. While IPRED2 says that only "commercial scale" infringement will be punished, the directive doesn't define "commercial scale" or "incitement." Even IP lawyers can't agree on what are "private" and "personal" uses of copyrighted works. One step over that fuzzy line, however, and anyone could be threatened with punishments intended for professional counterfeiters and organized criminals.
How can ordinary citizens feel safe exercising their rights under copyright and trademark law when serious criminal penalties may be brought against them if they cross the line?
Tell the European Parliament to Fix IPRED2
The excesses of IPRED2 need to be reined back. Sign this petition now!.
Have a cappuccino with me
The "We're not Evil" Music Label
01. Rights are exclusively from bands - the copyright should belong to bands, and they should be the ones to decide whatever to do with their songs;
02. CD releases - The less evil labels I know of are exclusively netlabels, or do CD-R releases. But bands deserve the choice of having their art in propper Audio CD's, without having to go with a not so un-evil label;
03. MP3's for free - All tracks released should be also available for free as mp3's (and possibly in other formats, as ogg), DRM-free (of course), so listeners could do the usual try-before-buy legally and without restrictions;
04. When the CD's are sold out, digital sells continue - Maintaining a release is impossible: even the major labels go out of stock for a long period of time (I'm talking about years) before they do a re-release. To a smaller label the problem gets worse, so it is common to see some bands whose first works are already out of market: and the only way for you to get them is by downloading them (legally or not). So, in this scenario, I think that, for those wanting those previous releases and actually buy them, sold-out albums should start being sold in non-evil music stores (like, for instance, Amie Street), at a reasonable price for everyone involved;
05. CD's at reasonable prices - I don't really know (yet) the praticability of this (the cheaper the album is, more is the profit share that must go to the label), but I was aiming here for something like 5€ per album;
06. Label profit only to cover the business itself - We can't have a scenario where all the money goes to the artists, since doing this costs money. So, the idea is to give a share to the label good enough to cover the expenses in the release, running the label itself, and to invest in new releases. I was aiming for nothing less than 50% for the artists, but, as I said in 05, the biggest the artist share, biggest the unit price, so I think that, as a test, 5€ per album and 50% for the artist is a good combination, suitable to enhancements;
07. The "usual" promotion - The label must do the "usual" promotion of the band. Unfortunately I think that the "usual" part is not that usual, and that's bad - for both artists, the label itself and the (potencial) listeners. And easier too. When I mean promotion I'm talking about several things, from making the band have an online presence to making their album available in as many music stores as possible;
08. The "unusual" promotion - AKA "getting better deals for the band". Of course the concept of "better" isn't a well-defined thing, and should be developed with the artists (project by project): for instance, I don't think I would want another record deal other than this one if I have such a label, but with "unusual promotion" I mean stuff like "getting you a bigger label, if that's what you want". Of course that I also mean many other things, such as promoting the band on things like SellABand;
09. Consider musicians as artists and music as art - self explainable, yet most of the times ignored;
10. Items from 02. to 08. negotiable - and the others not. This is perheaps the most important of these items: setting what must be, and talking about what by default would be, unless the artists (the real important piece in the music industry) think otherwise.
What are your thoughts on this? And do you know any label that does something similar to this?
April 11, 2007
Huddle
Mark Shuttleworth speaks about DRM
Highly recommended reading.
April 10, 2007
Swaptree - review
Remember last year when I talked about Swaptree? I bet you don't. It was way too long from then till now: in July they were in private beta and they still are, yet they are expanding slowly Swaptree's userbase by inviting more people into the private beta, and last week I was a lucky one. Anyway, you probably don't recall what Swaptree is, so let me quote myself:
So, what's this "swaptree" thing? Swaptree is a free service that allows you to swap things you have and don't want with things you want to have. It just works like this:
You manage a list of books, CD's, DVD's or games you want to trade, and a wishlist with stuff you want to have. To simplify it, you can easily do stuff like import your Amazon wishlist to swaptree. Then, the site does it's own magic by itself and you don't have to worry about anything. When there's something you want available to swap with something you have, you'll be asked if you want to do that trade. If you want to, swaptree manages even the packaging issues so you don't have to bother with nothing:
And when you realize, the swap is done! Easy, isn't it? Well... This is the part when you start wondering about the implications of such a system: it can't be just as easy as that... Well, as you can see through the blogosphere, it really is as simple as that.
So, I've tested the application and I was really surprised about how neat it is. Yet, there were two things that gave me some frustration.
The first thing is that you need to give the ISBN or the UPC of the product you have for swapping. You can't just surf, think "oh, and I also have this and don't want it" amd click on it, as you can do for your "want list". When you click on the "I have this" button in an item, you must provide its UPC or ISBN. That makes things not as easy as they could be, but on the other hand it is understandable if you think that they want some warranty that (a) that product exists (as a tradeable product), (b) you have an original product, and (c) you really have it. But the frustration really comes when you pick a big pile of CD's, books and DVD's you don't want anymore and start inserting their ISBN/UPC's, just to recieve as reply an error message saying "Please enter a valid ISBN number (for books) or UPC code (for CDs, DVDs & games) below.". And, damn, some of those items I'm 100% sure have a valid ISBN/UPC code! First I thought that only "issued in USA" items were on their database, but not even that. Sucks, in a big pile of items I only managed to insert (by now) four.
The other thing is that I added four items and no one had them in their wishlists. OK, less then 24 hours later I could already swap one of those by one of these:
but none of those things were in my own wishlist. So, is the model not working? Not really, that's not the issue here. This is a "relational value network", where the service value grows with the number of users and marked items (both as "I have" or "I want"). The growth is exponential, since a trade can be done in several layers: Imagine that I have something you want and you don't have nothing I want: that can be fixed if you have something a 3rd person wants in exchange of something I want. Now add up to 5 layers of complexity. Right! :-) The issue is that, for now, and being this a private beta it's no surprise that this is like that, Swaptree is lacking users.
What leads me to yet another issue, this time about something that could greatly enhance this service "social networking". I'm not a fan of social networks, and I really feel like social networks like Hi5 and Orkut are completely useless, but sometimes they are well-explored: take Flickr as an obvious example. In Swaptree you can see items you want, but you can't see "who has this item" and "what do those people also have". See, if I start browsing over SciFi books, for instance, I might want to see who has some books I liked, and, if they do, what other SciFi stuff are they into.
Finaly, in the previous post I asked this: "is this going to work overseas or only on USA?" Now that I'm in, the answer is... I don't know. Now, you can only choose, on the countries list, United States, but there is a Country list, so I guess they'll soon add more countries. At least I hope so, because until Portugal is in their orchard my swaptree can't give good apples.
April 08, 2007
Microsoft changes tune on selling DRM-free songs
Debian GNU/Linux 4.0 released
Read the press release here.
April 05, 2007
Apple Jobs ISN'T Anti-DRM
nPost - startup jobs
We differ in that we only accept jobs from startups. Krop.com and CrunchBoard.com accept any jobs from any company; Mary Kay (cosmetics), IBM, MSFT, etc. These are obviously large successful companies, but it would be a stretch to consider them startups.
I firmly believe that startups require unique individuals to help them grow their business. They need people who are dynamic, flexible, driven, and have a bit of the entrepreneurial zeal.
By focusing on this unique sector, we hope to put those types of individuals in touch with career opportunities that are right for them.
I don't think they'll be extremely successfull with this, but I think that this will turn nPost bigger and better, and I guess that that was all they were aiming for. And they did it right - found a nieche that needed to be explored right.
See the board here and also some reviews.
April 04, 2007
GrooveShark alpha
GrooveShark is a web application intended to create a new business model for music, being legal and yet using all the things that make p2p networks a success (including getting music for free). As they say in their blog,
Grooveshark is a web-based application for sharing music within a community of music lovers. We distribute DRM-free MP3s across a mostly p2p network.Adding to that, it also has a lot of social features, that you're used to see in other services like Last.fm.
In the 26th of March they started their limited alpha release (click there to request an account), and yesterday I got an invite to be part of it. The thing with it is that GooveShark isn't 100% web, and it has a lot of stuff (including registering) that can only be done with their desktop application. At least for now that application has only a Windows and a Mac OS version, so I wasn't able to try it. I tried to run in on top of wine, but I couldn't (something to do with the instalation of the JRE). Well, that at least tells me that the application is written in Java, so I guess it will be easy to do a Linux version, and I surely hope they do it. I wrote them an email asking about it but had no reply until now. Well, I guess that I'll have to wait until they wake up ;-) As soon as I have a reply about it I'll write it here.
Until then... Mashable also got an invite, and they covered GooveShark in their blog. So, if you're interested, take a look at it here.
Your take on EMI && Apple
So, out of curiosity, I created this poll and I ask you to please answer it... The first options implicitly take that you care about DRM issues. If you do not, then there's a propper option for you.
Thank you.
Edit: For those who are not seeing the poll, please vote here. For those that do not have a flash plugin, vote here.
April 02, 2007
Apple iTMS to sell DRM-free EMI tracks... as luxury items
The good news for EMI: they can now sell music for more than $0.99 ($1.29, to be exact), something they were trying to achieve for a long time.
The good news for Apple: they are now selling some music without DRM. Maybe they can use this to postpone the court decisions on those European countries that will sue them if they don't stop selling DRM'd files. They can even argue that they're giving an alternative to users. Until then, they'll keep telling "hey, give us time - we dealt with EMI, maybe in the future we'll do the same deal with others". They'll keep "forgeting" that lot's of indie labels want to ditch DRM files and sell only DRM-free music. They'll keep forgeting that they're still signing new deals about new businesses (video and movies instead of music), and those deals are only in DRM'd formats - no DRM-free files there.
The good news for music lovers: uh... good news? Nah. This is an attempt of turning the "standard" music (DRM-free, where "consumers" have rights such as the "personal copy" and "fair use" ones) into luxury items, making the DRM items the standard.
So, excuse me, but FUCK YOU Apple and EMI. DRM is absurd and non-acceptable. Music lovers won't accept that YOU decide that music should be defaulted as DRM'd, and that RIGHTS that we have now can be turned into "extras" we can, sometimes, purchase.
Your proposition on a new music world keeps unaceptable. You're still not giving a fuck to music artists and lovers - those that give you money - so we'll keep telling you to fuck off until you take US into consideration.
Apple's press release
EMI's press release
Announcement Podcast
EMI might ditch DRM from iTMS songs
In a major reversal of the music industry's longstanding antipiracy strategy, EMI Group PLC is set to announce Monday that it plans to sell significant amounts of its catalog without anticopying software, according to people familiar with the matter. The London-based music company is to make its announcement in a press conference that will feature Apple Inc. Chief Executive Steve Jobs. EMI is to sell songs without the software -- known as digital rights management, or DRM -- through Apple's iTunes Store and possibly through other online outlets, too.The press conference is going to be webcasted live here, for those wanting to hear the news on first-hand.